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Possessed: The Rise and Fall of Prince, by Alex Hahn
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Few artists have accomplished what Prince Rogers Nelson has: he has topped the R&B, pop, and dance charts; he has overwhelmed musicians and critics with his seemingly endless wealth of talent; he has outraged; and he has inspired. Using sources unavailable to others, author Alex Hahn has created a page-turning biography/pop culture history/work of musical scholarship on one of the most dynamic, talented, and controversial performers ever to don backless pants on national television.
Hahn unveils the psychology of this tortured, messianic musician whose ceaseless reinventions have at times rendered him a profoundly original artist, while at other times threatened to become a mockery of himself and his music. Recollections and opinions from friends, employees, and industry insiders place readers right in the middle of some of Prince's most awe-inspiring recording and songwriting sessions. They also relate countless and sometimes shocking details about Prince's most publicized relationships (with Kim Basinger, Carmen Electra, Vanity, and many, many more); reveal how Prince allegedly plagiarized band members' musical ideas; and explain why he has become such an isolated figure with a compulsion for total control.
The most up-to-date, full-scale biography of the performer available, Possessed: The Rise and Fall of Prince is a whirlwind of a read that celebrates the artist and examines the man; it's a mesmerizing biography certain to leave readers breathless.
- Sales Rank: #1019472 in Books
- Brand: Brand: Billboard Books
- Published on: 2003-04-01
- Released on: 2003-04-01
- Original language: English
- Number of items: 1
- Dimensions: 1.03" h x 6.28" w x 9.22" l,
- Binding: Hardcover
- 288 pages
- Used Book in Good Condition
From Publishers Weekly
The alien androgyny, the spiritual eroticism, the royal conceit: the outsized persona of the artist currently known as Prince fascinates on numerous levels. In this detailed biography by journalist and attorney Hahn, anecdotes of a personal nature mix with close readings of Prince's musical output, producing few big secrets but plenty of insight. Prince's early days are recounted as a frenzy of musical education, with influences ranging from the funky dexterity of Sly Stone, to the tight perfectionism of James Brown, to the spiritual yearning of Stevie Wonder. (Hahn also names a less obvious influence in Joni Mitchell, whose lyrics Prince apparently purloined sometimes whole cloth.) The young Prince also absorbs the mechanics of the studio like a sponge. When the child prodigy meets with early success, signing to Warner Brothers at age 19, he blossoms into the personality of flamboyant and controlling self-absorption that fans have now watched mutate for over two decades. Constructed from interviews with producers, sound engineers, journalists and publicists, though not as frequently with Prince's inner circle, the book portrays Prince as a kind of outsider artist, eccentric and self-centered to the extreme, rarely leaving the enchanted, Minneapolis garden of his childhood, where he has managed to build himself into a living, protean god. This is a truly American story of cranky self-invention. B&w photos.
Copyright 2003 Reed Business Information, Inc.
From Booklist
In the late 1970s, Minnesotan Prince Rogers Nelson began releasing funk-fortified albums on which he was the only musician and singer. First as an underground phenomenon, then as a much-hyped purveyor of a new kind of excruciatingly danceable, sexy music, he became a pop phenomenon. He shed two-thirds of his name, formed a series of bands, made some movies, and eventually dropped his name entirely, preferring to identify himself with an unpronounceable symbol. Then he feuded with his record company, inaugurating a series of negative career moves that rivaled Mike Tyson's in self-destructiveness and rendered him little more than fodder for late-night TV wisecracks. Hahn covers this ascent and descent in gritty detail, thanks to sources that include many Prince collaborators, though not the incredibly funky Apollonia, Morris Day, or George Clinton (whose career Prince restarted in the 1990s). Considering the longevity of rock careers these days, Prince might rebound yet. Still, he has left his mark on rock style as well as music, and Hahn has given us the arc of that mark. Mike Tribby
Copyright © American Library Association. All rights reserved
About the Author
Alex Hahn, a resident of Boston, has written for the Boston Globe and the San Francisco Chronicle. Also an attorney, Hahn defended Uptown, the leading Prince fanzine, in a suit brought by the artist himself.
Most helpful customer reviews
9 of 9 people found the following review helpful.
Fair and balanced look at an eccentric musical genius. Worth reading.
By John S Harris
I didn't read this book until some 11 years after it was published. And in those 11 years Prince saw his career resurrected and he rebounded with some great material, fun tours, and he still looks and sounds as cool as ever. But the years covered in the book? Oh my!
The book is very detailed about his life, friendships, girlfriends, business activities, music output and inspiration, personality quirks, etc. The reporting seems very fair and even-handed (even if author Hahn refers to Prince's personal and professional "flare" when he really means "flair". They're not the same word, Alex).
I would love to read a follow-up to this book that catches us up on Prince's career post-2004. And if Hahn could write it, even better. This book certainly brings Prince down to Earth for the rest of us and makes him look oh so very human. Eccentric and bizarre, but human.
I did manage to have a brief personal encounter with Prince in 2007, and perhaps that's why I grew interested in reading up on him a bit more. (I suppose one could also claim that Prince had a brief personal encounter with ME in 2007. I wonder if he reads up on me? Nah. Probably not.)
15 of 16 people found the following review helpful.
Leaves You Cold And Wanting More
By VW
A meticulously engaging biography of Prince, "Possessed" pulls the reader in and won't let go. This is the portrait of a genius who, through his own machinations, became something of a monster. The book tells the story of a Prince who is self-destructive, narcissistic, insecure and cloistered; a prodigy who changed music while managing to alienate virtually everyone in his life.
By 1982-83, Prince had forced the world to sit up and take notice. Having skillfully blended elements of numerous musical genres to create a uniquely eclectic signature, he was determined to avoid being pigeonholed by a limited artistic identity. This determination, combined with his rising popularity and enigmatic, iconoclastic image began to raze traditional barriers. All of this culminated in and peaked with "Purple Rain"- a body of work that enjoyed universal appeal and propelled him to the top of the pop/rock world. But, ironically, he rebelled (in a sense) against his own success, deciding to follow "Purple Rain"with "Around The World In A Day", a work designed to remind everyone that commercial success could and would be subordinate to the importance of innovative artistry. These reinventions continued, accompanied by critical praise and declining sales, and in the midst of a musical landscape that was ever-changing. In this sense, at least from a commercial perspective, Prince became the victim of a new music world he'd been instrumental in creating.
Published in 2003, this bio ends in 2002. The story of Prince between 1989 and that year is not a pretty one, giving chilling accounts of his treatment others, from subordinates and band members to the Warner Brothers executives who'd helped make him a star. One consistent and recurring theme is his inability to treat those around him with empathy- sometimes common courtesy. By the mid 90's, he'd alienated most everyone and, as he became ever more insular, his creativity suffered along with his image.
But it seems that none of this mattered much to Prince. From the beginning, it seems that total control was his ultimate aim and, in the end, that's exactly what he got. The genius and success of his first ten years as a recording artist provided a lifelong security blanket, one that apparently made him bulletproof regardless of his actions.
Though "Scathing" (as one critic described this book) "Possessed" is written with no obvious agenda. One would be a fool to call it complimentary to Prince on balance, but it does cover his charitable deeds and contributions, his struggles to open up, and flashes of a guy who could be nice. If you don't find Prince Rogers Nelson an interesting character, this biography is certain to change your mind. If you do, then this work should be on your must-read list, because you ain't seen nothing yet.
4 of 4 people found the following review helpful.
Not worth the $
By Sandy Calderone
Book is penned by a lawyer who once represented a client who sued Prince . I could feel distain for Prince as I read the book, then this fact was disclosed, and it made sense. Just ok, not worth the $ I paid ......Price soared after the death of Prince .
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