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The Revolt of the Cockroach People, by Oscar Zeta Acosta
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The further adventures of "Dr. Gonzo" as he defends the "cucarachas" -- the Chicanos of East Los Angeles.
Before his mysterious disappearance and probable death in 1971, Oscar Zeta Acosta was famous as a Robin Hood Chicano lawyer and notorious as the real-life model for Hunter S. Thompson's "Dr. Gonzo" a fat, pugnacious attorney with a gargantuan appetite for food, drugs, and life on the edge.
In this exhilarating sequel to The Autobiography of a Brown Buffalo, Acosta takes us behind the front lines of the militant Chicano movement of the late sixties and early seventies, a movement he served both in the courtroom and on the barricades. Here are the brazen games of "chicken" Acosta played against the Anglo legal establishment; battles fought with bombs as well as writs; and a reluctant hero who faces danger not only from the police but from the vatos locos he champions. What emerges is at once an important political document of a genuine popular uprising and a revealing, hilarious, and moving personal saga.
- Sales Rank: #86688 in Books
- Published on: 1989-08-28
- Released on: 1989-08-28
- Original language: English
- Number of items: 1
- Dimensions: 7.98" h x .59" w x 5.19" l, .46 pounds
- Binding: Paperback
- 262 pages
Review
"Acosta has entered counterculture folklore:"
-- Saturday Review of Literature
From the Inside Flap
The further adventures of "Dr. Gonzo" as he defends the "cucarachas" -- the Chicanos of East Los Angeles.
Before his mysterious disappearance and probable death in 1971, Oscar Zeta Acosta was famous as a Robin Hood Chicano lawyer and notorious as the real-life model for Hunter S. Thompson's "Dr. Gonzo" a fat, pugnacious attorney with a gargantuan appetite for food, drugs, and life on the edge.
In this exhilarating sequel to The Autobiography of a Brown Buffalo, Acosta takes us behind the front lines of the militant Chicano movement of the late sixties and early seventies, a movement he served both in the courtroom and on the barricades. Here are the brazen games of "chicken" Acosta played against the Anglo legal establishment; battles fought with bombs as well as writs; and a reluctant hero who faces danger not only from the police but from the vatos locos he champions. What emerges is at once an important political document of a genuine popular uprising and a revealing, hilarious, and moving personal saga.
From the Back Cover
In this exhilarating sequel to The Autobiography of a Brown Buffalo, Acosta takes behind the front lines of the militant Chicano movement of the late sixties and early seventies, a movement he served both in the courtroom and on the barricades. Here are the brazen games of 'chicken' Acosta played against the Anglo legal establishment; battles fought with bombs as well as writs; and a reluctant hero who faces danger not only from the police but from the vatos locos he champions. What emerges is at once an important political document of a genuine popular uprising and a revealing, hilarious, and moving personal saga.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Slightly "pig-headed," but worth reading if you're at all interested in Chicano literature
By B. Kwax
I enjoyed this book. It's an interesting, almost cartoonishly vulgar snapshot of Chicano movements in the late sixties; however, I agree with earlier reviewers who say that Acosta's depictions of women are severely flawed. While I understand that it was the sixties and maybe the circles Acosta was moving around in were a little more sexually liberated, it seems that almost every woman he comes across in this book is some kind of horny cougar or lolita, and sex ends up becoming the focal point of his interactions with most of them. Even when the occasional strong, independent, revolutionary woman appears in the story, she is usually objectified with descriptions of her legs, ass, breasts or looks in general. To be fair, his descriptions of men in the stories are fairly colorful too, so perhaps a lot of this was just "macho" posturing. It also seems like he was a little too comfortable with the idea of having sex with underage teenagers. So... there's that too. Anyway, I don't think the point of this book is to be pretty and polite and inspiring only... it was to be honest and to show the ugly, sweaty, bloody nature of revolution as it manifested in 1960s California. And it does that very well.
0 of 0 people found the following review helpful.
A Must Read Los Angeles Classic !!!
By Santos R. Vásquez
It's a Chicano classic no doubt about it. It captures the time of a turbulent America, specifically Los Angeles, East Los Angeles to be exact, including the downtown power structure. It is a document of an era that all the reportage of the time rarely captured, with exception of course to Ruben Salazar the slain reporter of KMEX and the Los Angeles Times who plays an integral role within the novel. It's also an insider's view of what went down in the Chicano Community at a certain poignant time. It captures the mood and the feeling of the late 60's and early 70's, from the "Blow Outs" or walk outs in the schools of the eastside to the infamous Chicano Moratorium march, protest, gathering and eventual police riot. It is a highly engaging and entertaining novel as it is a serious socio-political document. It's written in the so-called "gonzo" style he and Hunter S. Thompson made famous. Harlem 48' had "Invisible Man", East L.A. 69-70' has "The Revolt of the Cockroach People". Chalk one down for the "Indians"!! Definitely an L.A. classic!
0 of 0 people found the following review helpful.
received the book in perfect condition
By Diana Mora
I needed the book for a course, I received the book on time, in perfect condition. Love-hated the main character omg. Great read.
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