[E998.Ebook] Free Ebook Mastering the Five Tiers of Audit Competency: The Essence of Effective Auditing (Internal Audit and IT Audit), by Ann Butera

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Risk-based operational audits and performance audits require a broad array of competencies. This book provides auditors and risk professionals with the understanding required to improve results during risk-based audits.

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• Sales Rank: #1211098 in Books
• Published on: 2016-05-02
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 6.50" w x .50" l, .0 pounds
• Binding: Paperback
• 199 pages

About the Author

Ann M. Butera is the founder and president of The Whole Person Project, Inc., an organizational development consulting firm that specializes in assisting companies to introduce, handle, and manage change. Her prior work experience as a department manager for a large retailer, a system liaison officer at a major money center bank, and an internal consultant at a bankcard processor, in conjunction with her experience as a business owner and consultant, enables her to develop customized approaches for continuous improvement and increased profitability in organizations of all sizes. She served as an audit committee chair for a financial services firm.

For over 25 years, Ann Butera has consulted with organizations of all sizes to provide managers, auditors, and compliance and risk professionals with the techniques needed to improve their risk management practices. She has worked specifically with audit, compliance, and risk management department managers to develop methodologies that enhance the consistency and quality of audit and review execution.

Ann Butera received her Masters of Business Administration in Organizational Development from Adelphi University and is a Summa Cum Laude graduate of Long Island University (C.W. Post Campus).

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[V410.Ebook] Download Introductory Lectures on Psychoanalysis, by Sigmund Freud, James Strachey

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In 1915 at the University of Vienna 60-year-old Sigmund Freud delivered these lectures on psychoanalysis, pointing to the interplay of unconscious and conscious forces within individual psyches.

In reasoned progression he outlined core psychoanalytic concepts, such as repression, free association and libido. Of the various English translations of Freud's major works to appear in his lifetime, only one was authorized by Freud himself: The Standard Edition of the Complete Psychological Works of Sigmund Freud under the general editorship of James Strachey. Freud approved the overall editorial plan, specific renderings of key words and phrases, and the addition of valuable notes, from bibliographical and explanatory. Many of the translations were done by Strachey himself; the rest were prepared under his supervision. The result was to place the Standard Edition in a position of unquestioned supremacy over all other existing versions. Newly designed in a uniform format, each new paperback in the Standard Edition opens with a biographical essay on Freud's life and work ―along with a note on the individual volume―by Peter Gay, Sterling Professor of History at Yale.

• Sales Rank: #311087 in Books
• Brand: Brand: A Liveright Book/W.W. Norton Co.
• Published on: 1989-09-17
• Original language: English
• Number of items: 1
• Dimensions: 7.80" h x 1.30" w x 5.30" l, 1.12 pounds
• Binding: Paperback
• 656 pages

Features

• Used Book in Good Condition

Language Notes
Text: English, German (translation)

About the Author
Sigmund Freud (1856-1939) is one of the twentieth century's greatest minds and the founder of the psychoanalytic school of psychology. His many works include The Ego and the Id; An Outline of Psycho-Analysis; Inhibitions; Symptoms and Anxiety; New Introductory Lectures on Psycho-Analysis; Civilization and Its Discontent, and others.

Peter Gay (1923―2015) was the author of more than twenty-five books, including the National Book Award winner The Enlightenment, the best-selling Weimar Culture, and the widely translated Freud: A Life for Our Time.

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2 of 2 people found the following review helpful.
Read before you're too Jung
By john in bham
I once read an abbreviated version of this book at a music professor's house while my girlfriend was rehearsing in the other room, and it immediately forced me to appreciate the phenomenon of the "Freudian slip of the tongue." After a few weeks, I wanted to finish the book, but I couldn't remember the name. I got on my beloved Amazon.com and looked around, eventually finding this much larger version of the same lecture series. It's fascinating, it truly is, but having read an introduction to Jung alongside it (which told me of Freud's intellectual rigidity), I started reading Freud with an equally closed mind to his own, meaning I read his lectures far more critically than I might otherwise have done with a "nicer" chap's work. Still, his theories are sound (for their time) and the readability is what you might find in a history book written about the same time period (i.e. it's not overly scientific, but the translations from German are garbled sometimes).

1 of 1 people found the following review helpful.
Excellently written
By V. Puller
Very well written and easy to read. Main concepts of psychoanalysis are introduced in the first three chapters on the example of the slips-of-the-tongue. The next several chapters deal with the dreams. The final part of the book is a theory of neurosis, which is difficult to read without having some special medical knowledge.

The explanations given are quite enough to try doing simple analysis on oneself. Freud is a superb writer and the translators did a good job as well.

I recommend this book to everyone who wants to learn about psychoanalysis. The only shortcoming is that the book reflects an outdated (100-years old) view on the subject, but I am unaware of anything more modern that would be equally interesting to read.

0 of 0 people found the following review helpful.
although not in my opinion a must at first, ...
By Mrk
although not in my opinion a must at first, it really brings light on what psychoanalysis and Freud work are all about...

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[A493.Ebook] Download PDF Music and the Mind, by Anthony Storr

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"Writing with grace and clarity...he touches on everything from the evolution of the Western tonal system, to the Freudian theory of music as infantile escapism, to the differing roles o the right and left brain in perceiving music."
WALL STREET JOURNAL
Drawing on his own life long passion for music and synthesizing the theories of Plato, Schopenhauer, Stravinsky, Nietzsche, Bartok, and others, distinguished author and psychologist Anthony Storr illuminates music's deep beauty and timeless truth and why and how music is one of the fundamental activities of mankind.

• Sales Rank: #218141 in Books
• Published on: 1993-10-19
• Released on: 1993-10-19
• Original language: English
• Number of items: 1
• Dimensions: 7.99" h x .49" w x 5.18" l, .45 pounds
• Binding: Paperback
• 224 pages

From Publishers Weekly
Rejecting the Freudian notion that music is a form of infantile escapism, British psychologist Storr ( Solitude ) argues that music originates from the human brain, promotes order within the mind, exalts life and gives it meaning. In an engaging inquiry, Storr speculates on music's origins in preliterate societies and examines its therapeutic powers, even in people with neurological diseases that cause movement disorders. Focusing on Western classical music from Bach to Stravinsky, he rejects the view, expounded by Leonard Bernstein and others, that the Western tonal system is a universal scheme rooted in the natural order. Citing studies of physiological arousal, Storr updates Arthur Schopenhauer's thesis that music portrays the inner flow of life more directly than the other arts. He turns to Friedrich Nietzsche, a philosopher, pianist and composer, for an understanding of music as an affirmative medium that helps us transcend life's essential tragedy.
Copyright 1992 Reed Business Information, Inc.

From the Inside Flap
"Writing with grace and clarity...he touches on everything from the evolution of the Western tonal system, to the Freudian theory of music as infantile escapism, to the differing roles o the right and left brain in perceiving music."
WALL STREET JOURNAL
Drawing on his own life long passion for music and synthesizing the theories of Plato, Schopenhauer, Stravinsky, Nietzsche, Bartok, and others, distinguished author and psychologist Anthony Storr illuminates music's deep beauty and timeless truth and why and how music is one of the fundamental activities of mankind.

About the Author
Anthony Storr was a Fellow of the Royal College of Physicians, a Fellow of the Royal College of Psychiatrists, a Fellow of the Royal Society of Literature, and an Emeritus Fellow of Green College, Oxford. He was the author of numerous books, including "The Integrity of the Personality, The Dynamics of Creation, The Essential Jung, " and "The Art of Psychotherapy." Dr. Storr died in 2001.

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5 of 5 people found the following review helpful.
Lots of surprises in Storr - dissonance resolved
By Anti-Climaticus
Coming from a social and psychological perspective, for me Storr's opening insight in this book begins with a discussion of the social origins of music and the place music had in specific cultures. Citing, as an example, Australian Aboriginals, he notes that music was used to store and pass on knowledge that was critical to survival. He notes that early music also served a collective function where music expressed 'the structure of their knowledge and social relations' (19). As well music served as a form of shared identification - they're playing our song - themes, anthems, war crys and so on. From the outset Storr draws on a diversity of material to make his point and the illustrations used in this opening chapter evidence the work that has gone into writing this book. It is also this detail that is such a delight for the reader to take in and it is really difficult to rely the pleasantness of this red without recounting each and all of the stories he recounts. And as such why for me this is a difficult review to write in a manner that captures what Storr offers here.

In Ch 2 Storr begins to unpack his central theme - we can all have physical and emotional responses to music and while we may share similar responses, one person may not necessarily respond to a piece of music exactly the same as another or indeed respond to the same piece in the same way at different times in life. Our methods of perception (left/right brain alone) may mean that we take from music something that another does not. He also notes the capacity for some to empathise with a piece music while others focus on its structure and form. Similarly, a capacity to appreciate music doesn't necessarily translate into a talent for performing music. Music he notes, plays a variety of roles in health care and interestingly, the brain can process music or song in differing ways pre and post injury.

Ch 3 is a tough read but he draws forth some important insights. First that music is deeply embedded in culture. The creation of specific works of music draw deeply from that culture and are unique to it. Here he draws attention to the variety of musical scales that exist and which may be unique to a given culture. He suggests that one may learn the music of another culture, just as one can learn their language, but few will be deeply grasp that which is not culturally theirs. In this chapter his also introduces another key thematic, that of the cultural imperialism of the westernised form of music, noting some perceptions of it as though it were the only true musical form.

In Ch 4 he explores the idea that music in itself can express ideas without words. But at the same time poses the idea that what the composer wrote in the music, their ideas and insights may be set in a given time and space, and as such others may never perceive in the music what the composer intended. Again here he brings forth his insight about the cultural centricity or groundedness of compositions and the capacity of the listener of such creations to ever get what the other was on about. One cannot just know a composer because you have studied their music (121). Here and else where (e.g. page 129) Storr brings forth a social constructionist theme, questioning our capacity to grasp a thing in itself as distinct to our interpretation of phenomenon as they seem to us.

In the ensuing chapters he takes up some more psychological themes. In Ch 5 he considers music thru the question as to whether it is an escape from reality. I am no fan of Freud and as such I found parts of this chapter overly analytical - sometimes an ink blot is just an ink blot Sigmund! Music does though, have the capacity to take us to another 'mental space' and give life satisfaction - a thematic that he draws forward now until the end of the book, noting in the end that like Neitzsche music has been 'something for the sake of which it is worthwhile to live on earth' (188). Music can be a source of comfort for those who find themselves alone, but do not wish to be so (111). Music can also be a source of solace in an otherwise alienating world (121).

Ch 7 & 8 get to the heart of the question for me, the place of music in the realisation of the self - the finding and expressing of meaning in life. Here the breadth and deep of discussion, encompassing Jung, Plato and Schopenhauer (among others) is exhilarating. The experience of the aesthetic, the contemplation of beauty, abstraction, knowing ourselves, personal striving and the will to power, the satisfaction of desire and dealing with the internal hunger, the craving that the death of God means for individuals, in this case Jung and Neitzsche, something that many of us can identify with. And what is this striving about but: "becoming what one is (as) a creative act comparable with creating a work of art" (153). But it is not gooey art - it is art that embraces the fullness of life as tragedy wherein "we have moved beyond mere enjoyment of music to a condition in which we are saying yes to life as it actually is: tragic, ecstatic, painful and joyful - following Neitzche, music and art make sense of the world and justifies existence' (158).

I enjoyed this book and it is one that I will read again. I can't recall what I thought I would find in this book but I was surprised and delighted by the breadth and depth of the lenses thru which he considered not just music but life as well. From his early discussions of the role of hearing in the develop of emotion thru to the difficult questions of finding meaning and satisfaction in a "tragic" world, Storr takes one on a journey. And thru his Jungian lens, he suggests that there is a sense of wholeness, of balance to be found on this journey. And when one has music in mind, I think he is saying that it is as much as what we bring to music in our yearnings, expectations, or current realities, at a given time and place in our lives, as it is as about what we take away from it that makes music so very personal. Storr recognises that music can engage us physically, emotionally, economically, environmentally, psychologically, socially, in solitude as well as isolation and spirituality. Music can meet us at the intersection of multiple perspectives and combined life experiences. For sure we can all respond to a given piece of music at some level of shared experience but fundamentally music will speak to us as who each of us is at a given moment in our life journey. Thru these multiple pathways music speaks not just to us and thru us, but also thru the expression of and/or the creation of music we too can have a say, we can express what we need to share with a wider world and we too can be a part of the creation of beauty and of the every day. Certainly life has its discords, but even within the dissonance of life harmony exists and perhaps it is within our hands to resolve the dissonance and either express a chord that resonates within, or to express a sound that for us is our enduring albeit individual statement of meaning, purpose or being.

0 of 0 people found the following review helpful.
The second of the 2 best books on music and learning
By Harold Seckinger
The second of the 2 best books on music and learning. "The gift of music is the most enlarging development of the mind since the beginning of learning." Harold Seckinger, President of the Citrus Youth Educational Symphonic Orchestra.

1 of 1 people found the following review helpful.
Five Stars
By Sok
Great book about music and humanity, culture and history

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How the rise of computerized decision-making affects every aspect of business and daily life
 
The bot takeover began with high frequency trading on Wall Street, and from there it spread to all manners of high-level tasks—such as diagnosing illnesses or interpreting legal documents. There is no realm of human endeavor safe from algorithms that employ speed, precision and nuance.
 
In this fascinating book, Steiner tells the story of how algorithms took over and shows why the “bot revolution” is about to spill into every aspect of our lives. We meet bots that are driving cars, penning haikus, and writing music mistaken for Bach’s. They listen in on customer service calls and figure out what Iran would do in the event of a nuclear standoff. On Wall Street, pre-programmed algorithmic deals are executed by machines faster than any human could—leaving human investors at a severe disadvantage. 
 
But what will the world look like when algorithms control our hospitals, our roads, and our national security? Is a stock market controlled by high-speed trading bots worth investing in? And what role will be left for doctors, lawyers, writers, truck drivers, and many others?
 

• Sales Rank: #139590 in Books
• Published on: 2013-08-27
• Released on: 2013-08-27
• Original language: English
• Number of items: 1
• Dimensions: 8.40" h x .60" w x 5.50" l, .50 pounds
• Binding: Paperback
• 256 pages

From Booklist
The Arab Spring of 2011 did not surprise analyst Bueno de Mesquita, who in May 2010 predicted that Egyptian strongman Hosni Mubarak would fall within a year—basing his prediction on the workings of an algorithm. As readers follow Steiner in his whirlwind tour of algorithm applications, they will marvel at the versatility of a mathematical tool understood only by a small circle of experts. Readers peer over the experts’ shoulders long enough to trace the decision-tree logic of an individual algorithm and to follow the cascading dynamics of the linked algorithms that drive the “bots” now handling everything from putting astronauts into space to matching compatible personalities venturing into the dating scene. Steiner acknowledges that a world reliant on bots must cope with new challenges—flash crashes on Wall Street, unemployment among accountants, dangerously powerful technocrats. Still, Steiner remains hopeful that resourceful computer whizzes will weave algorithms that will enrich and safeguard our future. An accessible foray into computer programming that has become a hidden but pervasive presence. --Bryce Christensen

Review
“[Steiner] excels in bringing a dry subject to life.”
—Financial Times
"As readers follow Steiner in his whirlwind tour of algorithm applications, they will marvel at the versatility of a mathematical tool understood only by a small circle of experts. Readers peer over the experts’ shoulders long enough to trace the decision-tree logic of an individual algorithm and to follow the cascading dynamics of the linked algorithms that drive the “bots” now handling everything from putting astronauts into space to matching compatible personalities venturing into the dating scene…. An accessible foray into computer programming that has become a hidden but pervasive presence."

—Bryce Christensen, Booklist

“Algorithms are affecting every field of human endeavor, from markets to medi­cine, poker to pop music. Read this book if you want to understand the most powerful force shaping the world today and tomorrow.”
—Andrew McAfee, principal research scientist, MIT; coauthor of Race Against the Machine

“Christopher Steiner knows how to find terrific stories and tell them well. He has written a lively narrative with humans at its center. To be sure, its subject is important, but the book is also fun.”
—Randall Stross, author of Planet Google and The Launch Pad

About the Author
Chris Steiner is the author of $20 Per Gallon, a New York Times bestseller. His writing has appeared in Forbes, the Chicago Tribune, the Wall Street Journal, Fast Company, and more. He holds an engineering degree from the University of Illinois at Urbana-Champaign and a masters in journalism from Northwestern University. Steiner lives in Evanston, Illinois, with his family.

Most helpful customer reviews

10 of 10 people found the following review helpful.
Cursory and insubstantial
By Anonymous
The author spends a few pages talking about mathematical history, so the traditional quote from Abel seems appropriate: "Learn from the masters not their pupils". By that metric, you shouldn't read this book. It's written by a journalist who has a tenuous grasp on the subject and I don't think it's likely to advance anyone's understanding. An intro book about machine learning, which is the common thread of his anecdotes, would be a wise alternative.

It's also highly offensive that he wrote a 200 page fluffy text on the vast subject of machine learning and put icing on the cake by peppering it with advertisements for companies that he's affiliated with. At the start of chapter 2 he says "all one needs to do is head to Y Combinator's Hackers News message board, which has grown into one of the more infuential Web sites in the world". Not only is this completely false, he received a grant from Y Combinator for his start up, which we know because he included similarly transparent advertisements earlier in the book. Are you kidding me?

It shouldn't come as a huge surprise that someone who wrote a book called "$20/gal..." is more interesting in attracting attention than conveying information. But skip this one. There's no reason to encourage authors to write cash-grab drivel like this.

0 of 0 people found the following review helpful.
Stories and business applications of machine learning
By Sandro Saitta
Automate This is a journey into the world of anything that can be automated, from stock picking to medical diagnosis. The author, Christopher Steiner, excels in telling stories and bringing interesting anecdotes to the reader. Although focused on the trading world, the book explores topics such as automated music creation, geopolitical analysis and poker playing.

Automate This is about the stories and business applications of machine learning. It’s a pleasant reading for both people in the field and others. Practitioners will find interesting applications of machine learning, although without any technical details. People outside of the field will get a feeling of what can be done with data mining algorithms.

Out of the second chapter, about the history of man and algorithms, I found the book really enjoying. Steiner’s book is also telling the story of Quants moving from the finance industry to the Silicon Valley. In summary, Automate This is an excellent book about machine learning, without mentioning it (the author uses the word “automated” for machine learning). Highly advised to anyone interested in knowing how machine learning is changing our world.

8 of 8 people found the following review helpful.
Sensational
By S P
I really enjoy the aim of this book -- to explain how algorithms play such an important role in different areas of our lives. Case studies help add context to what might otherwise be an abstract mathematical musing. But I find the average Joe-oriented approach to come with unintended consequences. The writing is simply hyperbolic. It makes each incremental advancement in automation out to be the apocalypse. Options traders are using options -- well let's pack up and call it a day! Euler started mathematics from a young age -- what a genius! What a remarkable young mind!!

The author, lacking a more meaningful approach to this subject matter, decided to dramatize it as if to catch our attention. Duly noted, and poorly received.

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[F276.Ebook] Download Recovering Landscape: Essays in Contemporary Landscape ArchitectureFrom Princeton Architectural Press

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Recovering Landscape: Essays in Contemporary Landscape ArchitectureFrom Princeton Architectural Press

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The past decade has been witness to a remarkable resurgence of interest in landscape. While this recovery invokes a return of past traditions and ideas, it also implies renewal, invention, and transformation. Recovering Landscape collects a number of essays that discuss why landscape is gaining increased attention today, and what new possibilities might emerge from this situation. Themes such as reclamation, urbanism, infrastructure, geometry, representation, and temporality are explored in discussions drawn from recent developments not only in the United States but also in the Netherlands, France, India, and Southeast Asia. The contributors to this collection, all leading figures in the field of landscape architecture, include Alan Balfour, Denis Cosgrove, Georges Descombes, Christophe Girot, Steen Hoyer, David Leatherbarrow, Bart Lootsma, Sebastien Marot, Anuradha Mathur, Marc Treib, and Alex Wall.

• Sales Rank: #676315 in Books
• Color: White
• Published on: 1999-08-01
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x .90" w x 6.10" l, 1.09 pounds
• Binding: Paperback
• 288 pages

Most helpful customer reviews

50 of 54 people found the following review helpful.
Not just for Landscape Architects
By Dawn A Morrison
Recovering Landscape: Essays in Contemporary Landscape Architecture, proposes that when landscape is considered solely as a noun, its active role in the everyday lived experiences of humankind is lost. In this light, the volume seeks to recover landscape as not only a verb, "as process or activity," but also to recover the role of idea and the imaginary in landscape. To this end, Recovering Landscape is primarily directed toward the practicing landscape architect and how he/she can invoke this concept into his/her training, design and activities. Scholars of applied landscape who are concerned with turning idea into artifact will undoubtedly find this volume informative in guiding their practice. At the same time, theoretical landscape scholars who are interested in understanding and interpreting landscape as both cultural artifact and cultural process will also find much of interest in this volume.
The volume itself is divided into three sections: "reclaiming place and time" which explores the temporal, habitual, physical and cultural influences on the context of landscape; "constructing and representing landscape" which explores several different methods for representing landscape and how these methods can be used to approach and design landscape as a process or verb; and "urbanizing landscape" which presents what can be considered as, more or less, case studies invoking the above ideas, drawing them out in specific contexts.
The concept of understanding landscape as a process, or an activity, rather than as an object offers an unique perspective to landscape scholarship, similar to the ideas introduced by W.J.T. Mitchell in Landscape and Power (1994). This perspective brings more fully to the forefront the temporal, habitual and cultural processes that not only effect, but are integrally a part of landscape. Too often landscape is seen not only as an object, but as objective, something which exists apart from the individual and something which is larger than the individual. This notion is reversed in Recovering Landscape. The essays demonstrate that the role of an individual (as well as society) has the ability to significantly affect landscape, whether it be the landscape architect who actively designs landscape, the individual who habituates and experiences landscape, or the scholar who contributes representations of landscape. All of these are important considerations for the field of landscape study and, as such, Corner's volume articulates the various ways by which the above aspects can influence the understanding and interpretation of landscape.

1 of 1 people found the following review helpful.
Absorbing study that should have wide appeal
By RobW
Although the book is built around the author's ideas of landscape and landscape development, which sounds very academic, I found the book easy to read and very thought provoking . The illustrations are excellent and really illuminate the landscapes (in all senses) that are the book subject

Anyone interested in the environment and the development of the human landscape would enjoy this book

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
This book is beautiful. You should buy it.

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[E153.Ebook] Ebook Crown of Lies (Truth and Lies Duet Book 1), by Pepper Winters

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From New York Times Bestseller, Pepper Winters, comes a delicious sinful hero.

The USA TODAY Bestseller

THREE YEARS
Since I ran away for the night, danced in New York streets, and almost got killed in an alley by two thieves. Until he showed up and saved me. 

THREE DAYS
Since I threw a drink at the man my father expected me to marry, then found myself slammed against a wall with Penn Everett's seductive voice whispering a proposal I couldn't refuse.

THREE HOURS
To fall into hate with the man who reminded me of so many things and hid so much behind his lies. He couldn't be the man who saved me three years ago...but there's something so familiar...

THREE MINUTES
For our relationship to switch from no-strings to marriage. He announced it to my father―he's ecstatic. He told my friends―they're shocked. But he didn't ask me, he commanded me―and I'm livid. 

THREE SECONDS
For his lies to slowly steal my heart and make me believe, hope...trust.

THREE BREATHS
For his truth to destroy me.
Advance Reviews:
"Crown of Lies takes sensual and gripping to the next level in a masterfully written tangled web that will keep you furiously turning pages. Pepper Winters has outdone herself. Penn Everett will be your new obsession." --USA Today bestselling author Meghan March

"Thrilling and mysterious, this book has left me with a major hangover!!!!"--Lina's Reviews

"Crown of Lies is my first top 2017 read so far and it's a MUST read, one-click worthy book." -- Punch Drunk Library

"Pepper does a great job of delivering, yet again, one of the hottest alphas cloaked in mystery out there." --Dee, Goodreads

"The chemistry between them is scorchingly hot and the banter is perfect."--Vickie Goodreads

"WOW Pepper has done it again. I really wish I could give this book so much more than 5 stars it is brilliant" --We've Licked That Book Blog

• Sales Rank: #4152 in eBooks
• Published on: 2017-01-29
• Released on: 2017-01-29
• Format: Kindle eBook

Review

• Enthralling, addictive and enticing, Crown of Lies is a wild ride that will leave you obsessively turning the page, desperate to devour every brilliantly crafted word. Pepper Winters' unwavering talent shines bright in this masterpiece, and I cannot wait for the finale in this duet. Oh, and Penn Everett... Woah, Im a little obsessed! - Rachel Brookes, Bestselling Author
• Pepper Winters 'Crown of Lies' is a compelling story with ingeniously written dialogue and explosive chemistry. Touching. Addictive. Every single word is exquisite - Nashoda Rose, NYT Bestselling Author
• 5 Stars   I think maybe my favourite Pepper book.The suspense, the sexual tension, oh and the sex is off the charts!!! - Jennifer, Goodreads
• 5 Stars  This book just might be right at the top of my "Favorite Pepper Books" list. Seriously.....  - After the Pages Book Blog
• 5 Stars  I am still basking in UTTER BOOK BLISS. Pepper Winters outdid herself again! Just WOW!!! I LOVED THIS STORY SOOOO HARD! It may only be January, but I already know that Crown of Lies is a top January reads and a best book of 2017! --Bookalicious Blog
• 5 Stars   Such a brilliant story.It has the perfect amount of suspense ,mystery and the twists were fantastic.Pepper Winters delivers a passionate,erotic,intense and hot romance. --Read More Sleep Less

About the Author
After chasing her dreams to become a full-time writer, Pepper has earned recognition with awards for best Dark Romance, best BDSM Series, and best Hero. She’s a multiple #1 iBooks bestseller, along with #1 in Erotic Romance, Romantic Suspense, Contemporary, and Erotica Thriller. She’s also honoured to wear the IndieReader Badge for being a Top 10 Indie Bestseller.

Pepper is a hybrid author of both traditional and self-published work. Her Pure Corruption Series was released by Grand Central Publishing. She signed with Trident Media, and her books have sold in multiple languages and audio around the world.

For more information on Pepper and her work please follow:

Facebook: Peppers Books
Instagram: @Pepperwinters
Facebook Group: Peppers Playgound
Website: www.pepperwinters.com

Most helpful customer reviews

40 of 45 people found the following review helpful.
A dichotomous reaction to this book
By Kindle Customer
I had two reactions to this book: disgust and disbelief. I had a hard time buying into the very one dimensional upbringing of a young girl. No friends and no life experiences to make her a three dimensional person. Yet at the age of 19 she is handed the reigns to a multi billion do!lar conglomerate to run and grow. She rebels one day and ends up being almost raped and robbed yet to be rescued by a nameless man and ends up arrested for trespassing and that is the last she hears from him. She searches for three years for him in the system and finds nothing. She is Ill equipped to deal with anything outside of her business so when she meets Penn she has no skills to avoid him. He is crude, a liar and a criminal. He barges into her life that is controlled by men so she let's him take control until she I'd pretty much raped by him. He alienates her from everyone until she is vulnerable and alone. This was a train wreck that I couldn't put down . I wanted to close this book and write it off as another attempt at a dark romance that failed. But I found it to be a cautionary tale of how not to live. I would not want my daughter to think this is okay behavior and not glorify this as how love works. This was a totally dysfunctional story that is impossible to put down. Its painful to read. I kept saying "no!!!" at all of her actions and reactions. I felt so sorry for this poor girl and angry with the men in her life for using her for their own edification. I say read with caution it will bring lots of emotions out of you.

6 of 6 people found the following review helpful.
and Unseen Messages is one of my all time favourite vanillas. That said
By Peta Liddiard
I adore Pepper's work, and Unseen Messages is one of my all time favourite vanillas. That said, this was really disappointing. The characters were one dimensional and completely unrealistic, and the storyline was just silly. I actually checked the home page of my kindle to check that this was a Pepper Winters book. Nothing felt like her. It picked up in the last 25%, so I read the second. But more on that in my next review......

6 of 6 people found the following review helpful.
Waste of Money.
By Amazon Customer
50% in, and can't finish it. When will women learn that they shouldn't have sex with men that are mean to them???

See all 443 customer reviews...

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Tennyson wrote, "'Tis better to have loved and lost than never to have loved at all." Well, Tennyson never met these lovers!

In this massive tomb of romance comics with brutal, terrible twists, Swedish comics creator Kim W. Andersson--making his U.S. debut--delivers a shocking series of short stories about love gone horribly wrong! Featuring lovelorn supervillains, psychopathic online daters, murderous reality TV show stars, and heartbroken cowboys, samurais, and astronauts, Love Hurts showcases that no matter who you are or what you do, love can be one deadly bitch!

Kim W. Andersson is the winner of the Swedish Comics Academy's Adamson Statue--Sweden's most prestigious comics award!

Andersson's graphic novel Alena is being adapted into a movie in Sweden's burgeoning movie industry- which brought us films like Let The Right One In and The Girl With The Dragon Tattoo!

Foreword by Peter Snejbjerg (B.P.R.D. Hell On Earth, Starman, Light Brigade)!

• Sales Rank: #1310566 in Books
• Published on: 2015-11-10
• Released on: 2015-11-10
• Original language: English
• Number of items: 1
• Dimensions: 10.20" h x .50" w x 6.70" l, .0 pounds
• Binding: Paperback
• 240 pages

From Publishers Weekly
Serialized in Scandinavia and featured in Dark Horse Presents, Anderson's gruesome romance comics closely resemble 2000 A.D.'s Future Shocks: short, gut-punch tales that alternately delight and horrify. While the initial two-page shorts lack much subtlety or technical skill, as the collection progresses, Anderson's development as both an artist and writer is evident. Comparing the tropes parodied in #4 and #30 shows this; the former bluntly jabs at slasher cliches in the manner of Scream, while the latter both echoes and builds on Stephen King's Carrie and supervillain origin stories. Anderson saves the best for last: in #31 he expands the length and scope of his stories to include psychological horror and classic space fantasy. While Anderson proves he's imaginative and versatile in his artwork, his writing is less so. Still, his work is nonetheless entertaining and makes a great read on Halloween and Valentine's Day alike. (Nov.)\n

Review
"In a beautiful show of skill and grace, a skating duo take to the ice to compete for the world championship. As the audience “oohs” and “aahs,” the man tells his female partner he has been cheating on her. So she responds a little rashly . . . by severing his head with her skate at the end of the routine. The twisted scenarios in Love Hurts recall ’50s horror comics like Tales from the Crypt, which lured their audience in through shock and dark humor rather than complicated story and development. The stories are often only two- to three-pages long, and, as with any anthology, some are more original than others. But with more than 30 short stories, there’s a lot here for any horror fan to devour. Andersson’s character design often accentuates the obscurity of each situation, with manic smiles and dead set eyes, while also giving a retro vibe that pays homage to the golden age of horror comics. Not for the faint of heart, but wicked fun for the right audience."�— Peter Blenski, Booklist

About the Author
Kim W. Andersson a Swedish comic book artist and the creator of the romantic horror comic Love Hurts. After being published for several years in Scandinavia and featured in Dark Horse Presents it's finally getting collected in the US by Dark Horse Comics, as The Complete Love Hurts. 2012 Kim W. released his first graphic novel, Alena. Also a romantic horror comic, but this time a lot darker. Alena is at the moment being made into a motion picture, coming out 2015! The author lives in Hagersten, Sweden.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Oh, I’m Sorry. I Forgot I Only Exist When You Need Something
By Jami Leigh
When I saw that Dark Horse was publishing this graphic novel, I got real excited. I pre-ordered it from Amazon.com because I knew it was one I had to own. It does not disappoint! I love that issue #3 summed up in 4 pages the premise of a book I read that was 100 pages recently. #5 and #22 were fantastic, probably my favorites. The design, layout, flow, graphics, everything make this novel feel so complete and alive. Each issue tells a distinct story and either makes you laugh out loud, say ewe, or gives you a m�nage of reactions. If you are a fan of dark romance, go get this graphic novel.

0 of 0 people found the following review helpful.
Love gone wrong in all the best ways
By Matt Murray
The most apt comparison I could make for Love Hurts is to say that it is like Tales from the Crypt. Not the comic series, but the horror anthology series that aired on HBO. If you're familiar with that TV series, you'll know exactly what you're getting into here. And, for me, I thoroughly enjoyed it.

The Complete Love Hurts is a collection of 'love stories' ranging from two or three pages to a dozen or more. I use quotes because the stories all have some kind of twist, be it macabre, sci-fi, or both. They also often don't end well for most involved. But that's the fun of it. It's very tongue-in-cheek. Some of the twists you can see coming (especially after you've read a few of the tales), and others come out of nowhere. They're all entertaining.

If you're looking for something truly scary, this isn't going to fit the bill. The gore and violence are played for laughs more than scares. But if that's something that sounds like it would appeal to you, pick this up. I think you'll be pleasantly surprised.

1 of 1 people found the following review helpful.
But not as much as paying $10 for this book...
By Dellamorte
I thought I might like this based on the 3 page sample I downloaded, which is an extremely short one joke story. Problem is, this is just a big collection of 2-3 page 'stories' that have no setup, no nothing - just getting a joke or a 'twist' out in about 15-20 panels. Only a couple of them were even good, but the longer sci-fi ones were just lame. It was like paying $10 to read someone's web based comic strip.

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This second edition contains over 71,000 entries, including one-, two-, and three-syllable rhyming words, open compounds, and brand names. Perfect for musicians, poets, and lyricists, the book is fully cross-referenced for ease of use.

• Sales Rank: #34735 in Books
• Published on: 2007-06-01
• Original language: English
• Number of items: 1
• Dimensions: 8.82" h x .92" w x 5.45" l, .96 pounds
• Binding: Paperback
• 340 pages

About the Author
Merriam Webster Inc, Springfield, MA

Most helpful customer reviews

17 of 17 people found the following review helpful.
A better dictionary for those who care about words
By Cass Apple
For my needs, this Collegiate is a much better dictionary than the more simplified others, such as the dictionaries bundled with Kindle. Its definitions are more extensive and nuanced, especially useful when reading older material where the meanings of words (and the words themselves) have changed over time. Many times I have have found the more nuanced meanings of better authors in their selection of words.
It is simple to make this the default dictionary in Kindle instead of the bundled one.
At its heart, It is a standalone full copy of the Collegiate Dictionary, and can also be fully accessed as a separate book within Kindle. This makes browsing enjoyable, not just of its listings (including such pictures as dictionaries have) but also its supplemental materials.
When using it as a writer (I know the word, but not its spelling, nor if I completely understand the word I seek to use) and not as a reader, I would have been more pleased if those who had added electronic usability had also made it more intuitive to those of us with poorer ability to spell by more simply allowing the browsing for a word as is done with a paper dictionary. Yes, the pages are there exactly as they are in the paper version, but, for me, the electronics are not as good as the physical movement of the pages or groups of pages. It might be that adding a line which could be dragged at the top to change the pages displayed would further improve this.

18 of 19 people found the following review helpful.
the dictionary is very useful. I have Merriam-Webster Android version also
By Caroline Gardenia
The dictionary is very useful. I have Merriam-Webster Android version also, however I wanted hardcover type one. Because; 1) I'd like read/check preface, explanatory chart, explanatory notes, and so on this dictionary (it meaning, I'd like to read preface and appendixes of Webster). It's useful and important for deeply understanding. 2) I have Oxford paperback type. I love both dictionaries. But, hardcover type is more better for a a long time to keep good condition.
So, I recommend hardcover type dictionary even it's very heavy :) However, when I opened the dictionary at first... I'm very shocked for so bad condition/quality... One page is severely corrupted (It's not second hand). I think Amazon is not bad. It's just publisher's problem. In actually, I'd like to request to change. But, I'm in Japan... so let it go (If I request to change the new one, I have to wait 2 more weeks... I need the dictionary "NOW", it's not next month). I know it's very rare case, it's not so much (I had never seen that condition on English books. It's first time). I think dictionary is the most important book in all books. If this likely rare condition is on a kind of novel, I was not so much shocked. So, I recommend that if you want to buy a dictionary, real book store (not online) is better, because we can check the condition before buying it.

12 of 12 people found the following review helpful.
Perfect, you can't find a hard cover dictionary in ...
By R. Anderson
Perfect, you can't find a hard cover dictionary in many stores anymore, and this is just what I was looking for. FYI: laminated just means it has a high gloss finish with a very thin plastic coating to make it shine. I like to create quick tabs out of post-it notes they do not come with the dictionary.

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