Tuesday, March 29, 2011

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SuperBrain Yoga Paperback December 15, 2005, by Master Choa Kok Sui

  • Sales Rank: #4676856 in Books
  • Published on: 1605
  • Binding: Paperback

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Saturday, March 26, 2011

[D190.Ebook] Get Free Ebook The History of Jazz, by Ted Gioia

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The History of Jazz, by Ted Gioia

Ted Gioia's History of Jazz has been universally hailed as a classic--acclaimed by jazz critics and fans around the world. Now Gioia brings his magnificent work completely up-to-date, drawing on the latest research and revisiting virtually every aspect of the music, past and present.
Gioia tells the story of jazz as it had never been told before, in a book that brilliantly portrays the legendary jazz players, the breakthrough styles, and the world in which it evolved. Here are the giants of jazz and the great moments of jazz history--Jelly Roll Morton, Louis Armstrong, Duke Ellington at the Cotton Club, cool jazz greats such as Gerry Mulligan, Stan Getz, and Lester Young, Charlie Parker and Dizzy Gillespie's advocacy of modern jazz in the 1940s, Miles Davis's 1955 performance at the Newport Jazz Festival, Ornette Coleman's experiments with atonality, Pat Metheny's visionary extension of jazz-rock fusion, the contemporary sounds of Wynton Marsalis, and the post-modernists of the current day. Gioia provides the reader with lively portraits of these and many other great musicians, intertwined with vibrant commentary on the music they created. He also evokes the many worlds of jazz, taking the reader to the swamp lands of the Mississippi Delta, the bawdy houses of New Orleans, the rent parties of Harlem, the speakeasies of Chicago during the Jazz Age, the after hours spots of corrupt Kansas city, the Cotton Club, the Savoy, and the other locales where the history of jazz was made. And as he traces the spread of this protean form, Gioia provides much insight into the social context in which the music was born.

  • Sales Rank: #30791 in Books
  • Brand: imusti
  • Published on: 2011-05-09
  • Released on: 2011-06-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.10" h x 1.30" w x 9.20" l, 1.25 pounds
  • Binding: Paperback
  • 452 pages
Features
  • Oxford University Press

Review

"The best book of its kind."--Gary Giddins, author of Visions of Jazz: The First Century


"A remarkable piece of work... encyclopedic, discriminating, provocative, perceptive and eminently readable. ...If you are looking for an introduction to jazz, this is it. If you know and love jazz well, this is your vade mecum. Me, I expect to be reading around in it for the rest of my life."--Jonathan Yardley, The Washington Post


"Ted Gioia's herculean The History of Jazz...navigates this wild country with immense sophistication, scholarship, and wit. In fact, Gioia's History stands a good chance of becoming the standard guide for general readers and academics."--Village Voice


"An authoritative work of research that doesn't spare the poetic power of words."--James Sullivan, San Francisco Chronicle


"Anyone looking for a balanced, well-written popular history of jazz will certainly find [The History of Jazz] both readable and reliable."--The Wall Street Journal


"A very detailed telling of the events occurring throughout the 20th century that led to the creation and growth of jazz. It makes for an informative and enjoyable reading experience for all who love the art form."--Horace Alexander Young, Washington State University


"An excellent, well-written text that makes the subject understandable and interesting."--Brian Q. Torff, Fairfield University


"Very well researched, easy to read but extremely articulate. Mr. Gioia has accomplished a seemingly difficult feat with great ease."--Wendel Werner, Roane State Community College


"A miracle of concision, Ted Gioia's History of Jazz fills the most conspicuous gap in the music's literature. Marshall Stearns published The Story of Jazz 40 years ago, and the need for a work that would update the story, while incorporating new research and insights, has long been apparent. Gioia does the job with polish, clarity, justice, and surprising completeness--it's the best book of its kind."--Gary Giddins, author of Visions of Jazz: The First Century (forthcoming from OUP in 1998)


"If you wanted to introduce someone to jazz with a single book, this would be a good choice."--Kirkus Reviews


"Gioia generously considers the obviously major players yet notes hundreds of other musicians, too, always with a perspicacity born out of his own working knowledge...and the literary fluency of the essayist whose Imperfect Art is one of the best younger critics' books."--Booklist


"[The History of Jazz] is a remarkable piece of work, not without its shortcomings or its invitations to argument but, withal, the definitive work: encyclopedic, discriminating, provocative, perceptive and eminently readable. With its publication, it can no longer be said that the literature of jazz falls far short of the music itself.... The sweep of Ted Gioia's narrative is grand, indeed helps us understand just how grand the story of jazz really is.... If you are looking for an introduction to jazz, this is it. If you know and love jazz well, this is your vade mecum. Me, I expect to be reading around in it for the rest of my life."--Jonathan Yardley, The Washington Post, Chosen as One of the 20 Best Books of the Year


"This well-researched, extensively annotated volume covers the major trends and personalities that have shaped jazz. The excellent bibliography and list of recommended listening make this a valuable purchase for libraries building a jazz collection."--Library Journal


"Ted Gioia's herculean The History of Jazz...navigates this wild country with immense sophistication, scholarship, and wit. In fact, Gioia's History stands a good chance of becoming the standard guide for general readers and academics."--Greg Tate, Village Voice


"An authoritative work of research that doesn't spare the poetic power of words."--James Sullivan, San Francisco Chronicle


"Anyone looking for a balanced, well-written popular history of jazz will certainly find [The History of Jazz] both readable and reliable."--The Wall Street Journal


"An all-encompassing short history of the genre that has dominated 20th-century music."--he New York Times Book Review, A Notable Book of 1998


"...a masterful and fair-minded work" - The Misread City


"The mass of information is structured by a strong linear narrative and is carried along by Gioia's poetic turn of phrase. One of the best, and most even-handed, surveys of jazz and its literature." Financial Times


"For the past 25 years, author and teacher Ted Gioia has provided the most succinct and contemporary histories of America's native musics: blues and jazz. He has done this through his exceptional facility for taking all the previous literature, separating the wheat from the chaff, correcting the errors and myths, and burnishing a brand new shine on the music whole." --AllAboutJazz.com


About the Author

Ted Gioia is a musician, author, and leading jazz critic and expert on American music. The first edition of his The History of Jazz was selected as one of the twenty best books of the year in The Washington Post, and was chosen as a notable book of the year in The New York Times. He is also the author of Delta Blues, West Coast Jazz, Work Songs and The Birth (and Death) of the Cool.

Most helpful customer reviews

18 of 19 people found the following review helpful.
History book, listening guide, and musical style manual, all in one
By Eric Sedensky
Having taken up jazz as a hobby in my early forties, I've had a lot of catching up to do, not only from the standpoint of learning jazz and how to play it, but understanding what it is, where it came from, and where it is going so that I can make my jazz performances work within the context of the art form. This is not easy at my age (over 50 now) and meager talent level. I'm happy to say, though, that Ted Gioia's book. The History of Jazz, has really helped me fill in some gaps in my jazz education, so that I am once again inspired to continue my musical education, both as a player and a jazz writer.

Mr. Gioia's history is thorough and well thought through. Like any good history book, it follows the chronology of its subject matter faithfully, but what the author excels at is giving a taste of where the present or past will lead, as well as why and how it will get there. Then, when you reach the new material, the new artists, the new performers and the new types of jazz, you have a very real understanding of what happened, what had to happen, and who made it happen. I've often thought that a timeline showing the various artists' relationships to one another - who played with who, when, and for how long - would be one of the most constructive tools to understanding jazz (I even went so far as to begin constructing my own), and Mr. Gioia's book comes quite close to being a literal (if not visual) timeline very much along those lines. That's what really makes this book worth reading, but it doesn't stop there.

Of course, this book is about recorded music, and you can't understand any history of music without knowing the players, the songs, the albums, the performances, the venues, even minutiae like the producers and the hall owners, not to mention the life and culture of the times, to gain a full understanding of the music. Again, Mr. Gioia excels in this area and he gives the reader plenty of guidance on the recordings that will make the music, and its history, come to life. (One of the best guides in this department is the The Penguin Guide to Jazz Recordings: Eighth Edition, but that isn't a book you can just sit down and read.) If you're like me, however, and have assembled a modicum of historic jazz recordings, you will appreciate Mr. Gioia's guidance on what to listen to, given the historical context that he provides. Some of this is provided in liner notes of the actual recordings, and other publications, but in this increasingly digital age, serious students of jazz will appreciate the author's listening suggestions and background information. He even provides a unique "Discography" as an appendix, which more concisely outlines the most historic recordings, and the book's index provides enough insight and references to make it also workable as a "highlight guide".

And finally, there is the music. I couldn't think of a single musician that he may have excluded or a major story that may have been edited out. The good the bad and the ugly are covered with enough philosophical awareness to make the history real without overplaying the sordid aspects that many "poor us" jazz aficionados are wont to exaggerate. Sure the history of jazz is full of racism, drug use, and burn-brightly¬-and-burn-out-quickly musicians, but those aren't the things that define jazz to its practitioners and fans. This book is about understanding the music, not just its history, but what it meant as it developed, what it means now, and how it impacts the future of the genre. Even as I was reaching the end of the book, no sooner would I think of an artist or contributor whose name I hadn't read in the book yet, than Mr. Gioia would eventually touch on them. Even on the second last page, I was thinking "well, still no mention of African jazz" than Mr. Gioia covered Abdullah Ibrahim and his work. Truly, this is as thorough a history of jazz, right up to modern times, that any reader could want.

Mr. Gioia has written an exceptional book. If you were to force a complaint out of me, it would be that the author's sections and chapters are excessively long, leaving very little "rest" spaces between chapters and headings, forcing a casual reader (and even a less casual reader) to read through long sections to get to a logical break point, but when you are writing as thorough and detailed a work as this, it is a small price to pay for completeness and accuracy. Also, Mr. Gioia's writing is very high quality and his vocabulary extensive, and he uses both with precision and grace, or with audacity and spunk, as the narrative demands. There is always something interesting to find on the next page or in the next paragraph, making this a reading pleasure. I can't say enough about this five star book other than, I wish I had come across it earlier in my education.

2 of 2 people found the following review helpful.
A Great Place to Start for Aspring Students of Jazz History
By S. James
If you happen to be new to the subject of jazz history - as I was 17 years ago when I read the first edition of this book, in paperback - then this book is a very good place to start. Back then I had only a minimal knowledge of the big names and movements in jazz history, but I was very eager to expand my jazz knowledge beyond the "smooth jazz" that was ruling the airwaves at the time. This is a great deal of information and I learned so much the first time (and ended up buying a lot of great CDs as a result), but many of the names and their stories went over my head. Also, logistically the paperback version features large pages, very long chapters, and small print. So it was very challenging to read when there wasn't much "white space".

Fast forward 17 years, to the second edition (on my Kindle, so I can adjust the print size), and on the second swipe of this book the pieces began to fall in to place. This is not a quick, easy read and when the author mentions styles of music and cites specific songs - you just want the book to jump out and start playing these songs! I heard spotify is a good way to do this but it would take months to finish the book if you tried to hear everything. The best "sound" companion to this would be the Ken Burns "Jazz" documentary from 2000, which I have watched several times. It's not completely comprehensive, that would take five times as long, but you can hear a lot of the styles and learn some of the basics. Then you can start enjoying America's greatest contribution to music. And you'll have your favorites as I do: Billie Holiday (what's my dog's name?), Miles Davis, Duke Ellington, Thelonius Monk, Ella Fitzgerald, and so many more...

1 of 1 people found the following review helpful.
Only if You Must
By sue
How in the world do you rate this book?! Look, Gioia knows his stuff, and there is no arguing that, but his writing is unwelcoming and cumbersome. Jazzers love Gioia for the knowledge content, but entire pages will just be names without details, and his chronology is confusing. History doesn't have to be taught or explained in the order it happened, but a writer has to make things clear for the reader.

Another big turnoff is that the author is critical of certain musicians early in the book, but either he doesn't give reasons, or his reasons are blatantly subjective. Gioia almost seems argumentative and smug, but he is a must-have author if you are seriously studying jazz. Try to get it cheap or from a library if you just need it for one class, because I regret buying it new.

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Tuesday, March 22, 2011

[N892.Ebook] Free PDF Matched, by Ally Condie

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Matched, by Ally Condie

Cassia has always trusted the Society to make the right choices for her: what to read, what to watch, what to believe. So when Xander's face appears on-screen at her Matching ceremony, Cassia knows with complete certainty that he is her ideal mate . . . until she sees Ky Markham's face flash for an instant before the screen fades to black.

The Society tells her it's a glitch, a rare malfunction, and that she should focus on the happy life she's destined to lead with Xander. But Cassia can't stop thinking about Ky, and as they slowly fall in love, Cassia begins to doubt the Society's infallibility and is faced with an impossible choice: between Xander and Ky, between the only life she's known and a path that no one else has dared to follow.

  • Sales Rank: #74265 in Books
  • Brand: Speak
  • Published on: 2010
  • Released on: 2010-11-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.05" w x 6.35" l, 1.28 pounds
  • Binding: Hardcover
  • 384 pages

Amazon.com Review
Amazon Best Books of the Month, December 2010: For Cassia, nothing is left to chance--not what she will eat, the job she will have, or the man she will marry. In Matched, the Society Officials have determined optimal outcomes for all aspects of daily life, thereby removing the "burden" of choice. When Cassia's best friend is identified as her ideal marriage Match it confirms her belief that Society knows best, until she plugs in her Match microchip and a different boy’s face flashes on the screen. This improbable mistake sets Cassia on a dangerous path to the unthinkable--rebelling against the predetermined life Society has in store for her. As author Ally Condie’s unique dystopian Society takes chilling measures to maintain the status quo, Matched reminds readers that freedom of choice is precious, and not without sacrifice.--Seira Wilson

Amazon Exclusive: Author Q&A with Ally Condie

Q: What inspired you to write Matched?

A: Matched was inspired by several experiences—specific ones, like a conversation with my husband and chaperoning a high school prom—and general ones, like falling in love and becoming a parent.

Q: How do you think Matched differs from other dystopian novels?

A: I think it’s different in that it’s perhaps less action-oriented and more introspective. This is really the story of one girl, Cassia, learning to choose.

Q: The cover for Matched is so eye-catching and mysterious. What does the image represent to you?

A: I cannot imagine a more perfect cover for this book. To me, the image is a clear representation of Cassia, the main character, and the way she is trapped in her world. It’s kind of a lovely world—the bubble is beautiful—but it’s confining nonetheless. And, of course, the color green is very important to the book. I’m just so thrilled about this cover. Theresa Evangelista, the designer, and Samantha Aide, the photographer and model, are incredibly talented.

Q: In Matched, each member of the Society is not only assigned a spouse, they’re also assigned a job, and Cassia, your main character, is a data sorter. If you lived in the Society, what job do you think you’d have?

A: I would definitely not be a data sorter. I am terrible with numbers and patterns. I think I would probably be a teacher or instructor. Or maybe one of the people did a mundane task, like dishwashing. I have a feeling that I wouldn’t fare very well in the Society.

Q: Dylan Thomas’ classic poem, “Do Not Go Gentle,” is part of a theme that you’ve woven throughout Matched. Do you remember when you first came across this poem? What made you decide to use it in your novel?

A: I don’t remember when I first read this poem, which is pretty embarrassing. But I do remember the first time I heard a recording of the author reading it. I remember feeling almost reverent, and paying close attention to how he said the words and went through the lines. This poem came to mind almost immediately when I started writing the book. It’s probably the most universal poem I’ve ever encountered. The first line alone resonates immediately with almost everyone.

Q: What do you like about writing for teenagers?

A: Everything. I like talking with teenagers themselves about books. I like trying to capture the teenage voice. And I like writing about teenagers because they have SO MUCH happening in their lives, and they are passionate about those things.

Q: What were some of the books you loved as a teen? Did any of these books influence Matched at all?

A: I loved (and still do) Anne Tyler and Wallace Stegner. I remember being introduced to those authors in ninth grade and being floored by the beauty of their writing. I also loved anything by Agatha Christie. I think these books did influence me—not in any concrete, specific way, but in that I wanted to write a story about a character worth caring about even though/because of the fact that she is flawed and human.

Q: What would you like your readers to take away from the experience of reading Matched?

A: I hope they can take away whatever they need from the story. I hope there is something there for a reader--whether it’s relating to a character or reading a scene that feels true or anything else.

Q: Will there be more books featuring Cassia, or set in the world of Matched?

A: Yes! There will be two more books in the Matched trilogy.

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Monday, March 21, 2011

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Odd Girls and Twilight Lovers: A History of Lesbian Life in Twentieth-Century America, by Lillian Faderman

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Odd Girls and Twilight Lovers: A History of Lesbian Life in Twentieth-Century America, by Lillian Faderman

As Lillian Faderman writes, there are "no constants with regard to lesbianism," except that lesbians prefer women. In this groundbreaking book, she reclaims the history of lesbian life in twentieth-century America, tracing the evolution of lesbian identity and subcultures from early networks to more recent diverse lifestyles. She draws from journals, unpublished manuscripts, songs, media accounts, novels, medical literature, pop culture artifacts, and oral histories by lesbians of all ages and backgrounds, uncovering a narrative of uncommon depth and originality.

  • Sales Rank: #833464 in Books
  • Published on: 1991-10-15
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x 1.06" w x 5.98" l, 1.54 pounds
  • Binding: Hardcover
  • 373 pages

From Library Journal
Faderman charts the evolution of the concept of the "lesbian" as a 20th-century social construct and shows how love between women, once known at the turn of the century by such terms as "romantic friendship" or "sentimental friendship," came to be called "lesbianism." What was once not a realistic alternative to marriage became possible as women became educated, demanded equal rights, and came out of the home and into the workforce. With increased opportunities for independence, women no longer needed men's financial support to survive and, as a result, love between women was no longer perceived as innocently as it had been in the past. This is a much-needed book and is highly recommended for all public libraries both for its information about the perception and treatment of this particular minority group in America, as well as for its historical and sociological contribution. Its scholarly approach and content also make it a necessity for women's studies collections.
- Patricia Sarles, Mt. Sinai Medical Ctr., New York
Copyright 1991 Reed Business Information, Inc.

Review
Odd Girls reverberates with the powerful voices of people speaking for themselves.... Faderman empowers her subject; instead of allowing lesbian lifestyles to be defined from the outside, her voice and those of other women transcend destructive stereotypes and misconceptions. Odd Girls offers a lucidly written and moving narrative of lesbian culture and community during its formative years. (The Village Voice)

Fascinating... poignant and moving... Odd Girls is full of facts and wonderful details that readers may not have encountered, things that are a pleasure to learn and that seem valuable to know. (Los Angeles Times Book Review)

One has to respect the tenacity of Lillian Faderman for making sense of the evolution of lesbian life in twentieth-century America.... This is a remarkable social history.... Her study attains the depth and evenhandedness of a scholarly classic. (Susan Brownmiller The Washington Post Book World)

An important and challenging work for lesbians and heterosexuals alike.... Odd Girls is a key work, the point of reference which all subsequent studies of twentieth-century lesbian life in the United States will begin. (San Francisco Examiner)

Faderman's sweeping, mesmerizing prose accentuates the magnificent scholarship in this definitive account of lesbian life in the past 100 years.... Faderman has combined her talent and experience to accomplish this wonder. (Barbara Grier Lambda Book Report)

Nothing odd about Odd Girls—it combines clear prose with meticulous research. This book is an important contribution to understanding America and its people in our time. (Rita Mae Brown, author of Rubyfruit Jungle)

A grand narrative synthesis of the cultural, social, and political history of lesbian life since the late nineteenth century.... Engaging and deeply moving stories. (New York Times Book Review)

A splendid, uplifting achievement. (The Independent)

About the Author
Lillian Faderman is professor emerita of English at California State University, Fresno, and author of the award-winning Surpassing the Love of Men: Romantic Friendship and Love Between Women from the Renaissance to the Present and Scotch Verdict: Miss Pirie and Miss Woods v. Dame Cumming Gordon. She is also the author of Naked in the Promised Land: A Memoir and To Believe in Women: What Lesbians Have Done for America―a History, and coauthor of Gay L. A.: A History of Sexual Outlaws, Power Politics, And Lipstick Lesbians.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Very educational. I felt like I was reading a college textbook.
By Joy Hamilton
Very educational. I felt like I was reading a college textbook​, but it was incredibly long, drawn out and redundant.

0 of 0 people found the following review helpful.
Essential!
By Bree
No one ever told me about all this stuff. I'm so glad there is a book laying it all out. A very great read.

4 of 4 people found the following review helpful.
Fantastic
By dan
So impressed with Lillian Faderman. Terrific research and insights into that culture, and the rest of our culture. What this book needs more than anything else is to fill in the 20 year gap between when it was written and today. Thank you Ms Faderman. Wow!

See all 19 customer reviews...

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Friday, March 18, 2011

[E406.Ebook] Free Ebook Experiencing Grief, by H. Norman Wright

Free Ebook Experiencing Grief, by H. Norman Wright

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Experiencing Grief, by H.  Norman Wright

Experiencing Grief, by H. Norman Wright



Experiencing Grief, by H.  Norman Wright

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Experiencing Grief, by H.  Norman Wright

At one time or another, we will all find ourselves facing a dark journey—the passage through grief. Experiencing Grief is written for a person who is in the wake of despair grief leaves. This brief but powerful book will help lead readers out of their grief experience through five stages of grief. At the end of the journey is peace and a seasoned, more mature faith.

  • Sales Rank: #19552 in Books
  • Brand: B & H Publishing Group
  • Published on: 2004-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.50" h x .19" w x 4.25" l, .15 pounds
  • Binding: Paperback
  • 92 pages
Features
  • Great product!

Most helpful customer reviews

8 of 8 people found the following review helpful.
A BIG Help
By Mark Haynes
Six months after my wife died, I just knew that I was going crazy. I was an emotional wreck. I was going through the motions of life well enough, and was a functioning member of society, but inside I was in agonizing pain and confusion. I found a grief support web site, and looked through some of the recommended books. I bought this one, and I am SOOOO glad I did. I am NOT going crazy. I still hurt. I'm still grieving. But now I understand the nature of grief; I know what to expect; and I know I have better days ahead. This book is small and concise. It does a good job of telling you what you need to know, and then lets you get on with life. With the help of God. This book does not preach, nor does is say to cast all your problems at God's feet and they will go away. What it does is explain grief, and remind us that God walks this lonely path with us. I found it VERY helpful and reassuring.

3 of 3 people found the following review helpful.
I would highly recommend it to anyone that needs or wants to be ...
By Phillip
I am a pastor and 5 years ago I lost my wife to ovarian cancer. A few weeks ago my lovely daughter was murdered in her home. I found this book to be a wealth of information and a reservoir of help for me at this most difficult time. I would highly recommend it to anyone that needs or wants to be helpful to others in life's most tragic event, the death of a love one. Death is the last enemy to be destroyed.

1 of 1 people found the following review helpful.
Find your way out of grief.
By Amazon Customer
This little book is a gem. The author writes from the heart of a pastor, the mind of a psychologist, and from personal experience. If you are reading it for yourself it is so small it is a temptation to read it straight through, but don't. Read one chapter and then read it again and again. You do not need to read the chapters in sequence either. Read the ones that jump out at you first. It has nuggets of truth that take time to unpack. I give it to all my patients when they come to me for grief therapy. The best tool for walking through grief.

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Friday, March 11, 2011

[X974.Ebook] Ebook The Hal Leonard Real Jazz Classics Fake Book 'C' Edition (Fake Books)From Hal Leonard

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The Hal Leonard Real Jazz Classics Fake Book 'C' Edition (Fake Books)From Hal Leonard

The Hal Leonard Real Jazz Classics Fake Book 'C' Edition (Fake Books)From Hal Leonard



The Hal Leonard Real Jazz Classics Fake Book 'C' Edition (Fake Books)From Hal Leonard

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The Hal Leonard Real Jazz Classics Fake Book 'C' Edition (Fake Books)From Hal Leonard

Following the success of The Hal Leonard Real Jazz Standards Fake Book comes The Hal Leonard Real Jazz Classics Fake Book. This collection features the same great "hand-written"-style engravings, alternate harmonizations, and nearly 380 more classic jazz hits, including: Airegin * All Blues * Bag's Groove * Billie's Blues * Birdland * Blue in Green * Boplicity (Be Bop Lives) * Budo * The Champ * Chelsea Bridge * Con Alma * Django * Epistrophy * Fine and Mellow * Freddie Freeloader * Giant Steps * In Walked Bud * Israel * Jeru * Lemon Drop * Lester Left Town * Line for Lyons * Maiden Voyage * Miles * Nardis * Nuages * On Green Dolphin Street * Parisian Thoroughfare * Passion Flower * Peel Me a Grape * Red Clay * Robbin's Nest * Ruby, My Dear * Seven Come Eleven * Sidewinder * So What * Song for Helen * Take Five * Time Remembered * Trouble Is a Man * Turn Out the Stars * Waltz for Debby * Watermelon Man * Work Song * You Better Go Now * and more. The table of contents lists all of the songs and the artists who popularized them.

  • Sales Rank: #2984976 in Books
  • Brand: Hal Leonard
  • Published on: 2002-12-30
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x 1.36" w x 9.50" l,
  • Binding: Plastic Comb
  • 544 pages

About the Author
Founded in 1947, Hal Leonard Corporation has become the worlds largest print music publisher, representing some of the greatest songwriters and artists of all time. We are proud to publish titles of interest to all musicians as well as music lovers, from songbooks and instructional titles to artist biographies and instrument price guides to books about the music industry and all the performing arts.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Be-Bop And More
By John M.
380 songs from many eras, including a dozen or so Be-Bop tunes by Dexter Gordon or Fats Navarro from the late 1940's The tunes themselves can all be found on either the DEXTER DIGS IN - THE YOUNG DEXTER GORDON CD or the Fats Navarro GOIN' TO MINTON'S CD. The tunes aren't all that fast but have that Be-Bop flavor.

Tadd Dameron's The Tadd Walk also qualifies as Be-Bop and there are others by Tadd as well, Good Bait, Lady Bird, The Casbah.

Also there is a career spanning assortment of almost 30 Gerry Mulligan tunes.

There are over 20 original Jazz tunes recorded by Blue Note Records during the 1950's and 60's including the full version of Dat Dere from THE BIG BEAT - Blakey.

0 of 0 people found the following review helpful.
Another good fake book from Hal Leonard.
By Pete
As usual, the Hal Leonard series of fake books is excellent. I truly enjoy playing the music from this fake book. I can highly recommend it.

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